Handbook/nunavut.com

 
News

Headline News
Letters to the Editor
My Little Corner
Nunani
Editorial

Advertising

Jobs/Tenders
General Information
Notices
Buy an ad

Contact Us

Subscriptions
Advertising
E-mail the Editor

Search



More...

Archives
Arctic FAQ/Links

Awards
Download Inuktitut font


April 1, 1999

Discussions

Nunatsiaq News Talk Back
Nunanet Political Forum


 Contact Information:
   Box 8 Iqaluit NT
   X0A 0H0 Canada
   Tel: (867) 979-5357
   Fax: (867) 979-4763
   nunat@nunanet.com

 

 

September 21, 2001

Carrying a torch for creativity

Trash metal from dump is transformed into art

MIRIAM HILL
Nunatsiaq News

A raven crafted by Arctic Bay’s Rick Oyukuluk sits beside a kayak he has also created.
(PHOTO BY MIRIAM HILL)

IQALUIT — On the door of the metal workshop at Inuksuk High School there is a sign saying the room will be occupied until Sept. 24.

Behind it are eight students and an instructor. Acetylene torches blaze and sparks fly as people in coveralls, gloves, helmets and goggles melt steel against steel.

It’s reminiscent of a machine shop or garage, but the products being made here are an example of recycling at its best.

Thanks to the Nunavut Arts and Crafts Association, eight Nunavut artists are transforming scraps of metal into pieces of art.

Most of the artists are new at this sort of work.

“Welding is pretty hard,” says Chris Aula of Iqaluit. “You have to get the temperatures exactly right and I still don’t know how.” Aula was trained as a mechanic, so he’s been around blowtorches and metal, but he had never tried welding as an art form.

He shows off the gleaming silver inuksuk he created using scrap metal from Iqaluit’s dump.

Other artists in the group come from Cape Dorset, Igloolik, Arctic Bay and Qikitarjuaq. They vary in age from youths to elders.

Andrew Raney, of Salmo, B.C., is the instructor for the three-week course.
“It all came from the dump, the wonderful dump,” says a smiling Raney, safety goggles resting on his head.

So much material is brought up north and just left, Raney observes. He says all sorts of metals can be found at the landfill, but for the workshop they use mostly steel and aluminum.

A table sits near the door of the metal shop, displaying works the class has already created. A shiny spider web, complete with a spider, is positioned in a base with a tall, graceful silver flower.

A small raven bearing metal feathers and gleaming beak sits next to a silver kayak and a bushy-haired creature whose tongue sticks out. Across the room, Serapio Ittusardjuat works a one-quarter-inch pipe with a torch, creating a large silver walrus.

“The purpose of the course is to introduce metalwork and see if there’s an interest,” Raney says. “The grand result would be to have one or two continue with it.”

Aula says if he is able to get the acetylene and oxygen needed to run a torch, he will continue doing metalwork. But Raney points to a set of tanks on the floor and says it costs about $800 to fill them. The class is going through about two sets of tanks each week.

Raney suggests gas costs even more in smaller communities. But there are other options, he notes. Some welding machines run on electricity, and there are plasma torches, more practical for smaller centres.

Some of the students had welding experience in high school, but Raney says all have picked up on the skills quicker than he’d hoped.

“It’s a tough medium, but also forgiving,” he says. “If you make a mistake you can always redo it.”

The public is invited to an exhibit of the art created during the metalwork symposium on Friday, Sept. 21, between 5 and 7 p.m. at the Arctic College arts and crafts centre next to Iqaluit’s post office.

Click here for other navigation options